The water’s movement reinvigorated my photography, but also changed the way that I look at the land. The appeal of the conventional diminished. For all the care taken, and whatever the merit of the light, both vistas and details seem somehow lacking.

Over the past year I’ve started to experiment and to apply some of the techniques I use to photograph water on the land. As landscape photographers we tend to go to extremes – short shutter speeds to freeze the moment, or long exposures of several minutes.

The new land that interests me is the area in between.